An important and interesting field for semiotic research. Just as the semiotics of cinema has become an important trend in modern film theory, so the art of cinema or cinema has become a favorite topic of today’s semiotic research.
Here we can see the intersection and mutual enrichment of disciplines, which thirty years ago were the subject of traditionally different scientific approaches.
Particularly valuable are the semiotic studies of Metz, Pierre, Paolo Pasolini, Teresa de Lauretis, Kaja Silverman, and the ubiquitous Roland Barthes and Umberto Eco.
